Monday, December 7, 2020

My Corona, a Matter of Time, What a World

 

I can't help but think of the old song, My Sharona, anytime anyone mentions COVID-19 as the Corona virus - I've taken the liberty of highlighting some of the key parts on the old song...
 
Ooh, my little pretty one, my pretty one
When you gonna give me some time, Corona
M-m-m-my Corona
Close enough to look in my eyes, Corona
Is it just a matter of time, Corona?
Is it d-d-destiny, d-destiny
Or is it just a game in my mind, Corona?
 
Is it just a matter of time, Corona?
 
Is it, indeed, just a matter of time? My family and I have all had it, and hope to not get it again, but who knows? Who knows anything anymore? Where can one turn for credible and accurate data? Certainly not the Internet. I think Corona is more of a sorceress,  and evil sorceress...
 
I'll get you, my pretty, and your little dog too!
 
 Although, having the virus, it felt more like...
 
ARRRRRGH! — YOU CURSED BRAT! LOOK WHAT YOU'VE DONE! I'm MELTING! Melting! Oh — what a world, what a world! Who would have thought a good little girl like you could destroy my beautiful wickedness?! ARRRRRGH! I'm gone! I'm gone! I'm going!
 
I hope all of you have a super week, and month, and happy holidays!
 
Good luck out there! Stay safe!
 
 

Tuesday, April 26, 2016

Moving

Hello Darkness, my old friend, and all you other friends... the time has come to consolidate - in the next few weeks and months I will be ramping up a more official blog at Fear Knocks. The intention is to learn on Fear Knocks, get a book published, and be ready to do perfection at kscottforman.com

That said, this blog will be deleted/defunct/destroyed/done in the next few weeks. I would invite all of you to check out Fear Knocks, and if possible, subscribe to my RSS feed or subscribe to my newsletter.

Thank you, drive through, please

Scott aka POD

Friday, April 1, 2016

Call for Submissions - Apocalypse: Utah

Utah Horror Writers announces its third annual Horror anthology Apocalypse: Utah

Submissions will be accepted between 1 April and 31 October 2016, and are open to all Utah writers or writers with a connection to Utah (if you do not know what this means, please contact us at utahhorrorwriters@gmail.co
m).

For more information, please check out the call on Facebook:

https://www.facebook.com/events/1724369304446842/

Sunday, March 13, 2016

Anger, Fear, Aggression: Depression and the Sublime, Part 1


Anger, fear, aggression; the dark side of the Force are they. Easily they flow, quick to join you in a fight. If once you start down the dark path, forever will it dominate your destiny, consume you it will, as it did Obi-Wan’s apprentice.

Yoda

Was Obi-Wan's apprentice depressed and is Depression a part of the dark side?

     I would like, gentle reader, to muse on Depression, connect it to the Sublime, and possibly elucidate how the two can add considerable Force to your writing, dark or light, Sith or Jedi. One way to look at Depression is making it a spectrum – instead of 50 Shades of Gray think 666 Shades of Black, where one end is the homesick, heartsick nostalgia of Civil War times and the other is a place so dark, life isn’t worth living, in fact, it’s worth dying to escape this kind of Depression. Think Homer’s Iliad:
Father Zeus! rescue the sons of Achaea from these mists and give us clear weather. Let us see with our own eyes. Even destroy us, so long as it be in daylight.
Rest assured, this is no linear spectrum, but something with multiple tangents branching off into more and more tangents. I do not intend my musings to be prescriptive, or to offer hard, fast definitions, but more of a walk, enlightenment, possibly even a place to start writing. This first installment should do nothing more than get the gray matter moving. Let’s start with some feelings.
Depression is darkness, blackness, a deep, dark hole that one discovers only after he or she has fallen in, fallen close to the bottom of a bottomless pit. One cannot, in most cases, pull oneself out of this hole; the gravity is too great. Attempting to climb out, a natural inclination, is thwarted by the strength of the gravitational pull of emotions gone awry. Nothing is what it seems to be and everything is shrouded in a dark mist.
I feel like I’m underwater, only my fingertips break the surface, and I can’t move, only hold my breath, hope for help, or wish for death.
To get out of the depths of darkness, one who is depressed would welcome destruction in exchange for daylight as the sons of Achaea desired. One finds that he or she cannot even accept the help of others, mere mortals; only the supernatural, a miracle, can restore the light. Family, a friend or spouse, anyone close to the individual is incapable of providing deliverance. The knowledge that there are rights and wrongs, good and evil, love and hate, does not matter, they are powerless; the despair grows, consumes, and plunges them into deeper darkness.
Causes, treatments, not my point, but an idea, a description, the feel, the sense of Depression, a starting point is what one must have to begin to see into the darkness, reap the whirlwind, but like darkness, storms, the weather, each of us may find Depression differently. Sometimes there is no deep, dark hole, one doesn't fall into a bottomless pit, or feel they are beneath the surface of a murky, dead sea. Depression is a stumble into other places just as bottomless and black, dark paths, anger, fear, aggression.
This route is deceptive, the individual is just as trapped, just as helpless, but there is movement, change, hundreds of shades of black in reds, golds, greens, and every other color. There is a false sense that nothing is wrong, it's just another up and down on Life's road. In many cases, the individual finds his or her way out, but only by Chance or with Luck's help. Sometimes the Fates play a part leading us to a bisecting path, which leads back to light or warmth or a semblance of normalcy. In reality, it is usually a distraction, a different shade of black, a new path, but one still near to the dark side.
The individual develops coping mechanisms, exercise, a hobby, writing, or in many cases, self-medication via a number of choices. Overall, these choices subconsciously allow those of us on these paths of gloom to avoid the label Depression. We’re just stressed, or not on our A-Game, or sad; we forget or deny that no matter what flavor the Depression is, or how harmless it seems, consume you it will.
I have been on this these paths, have left them, and will probably return to them. I have been married to, the father of, a son, grandson, or friend of individuals who have been in the dark hole, the bottomless bit, the deep lake; some of these souls never returned. They opted for sunlight through destruction. Some are still in denial, a select few have found help, but I digress. The point is I have seen Depression, walked its paths, and found the bisecting paths back to some sense of function. I have also followed other paths back into the darkness.
What can this have to do with writing?
Sometimes, a dark path or two is a good thing, sometimes it makes us appreciate the good, the opposition in all things, the light, and it can spawn great ideas for stories, and not just dark stories, horror stories, or bad literary fiction. The problem: how does one write when he or she is depressed or lost on dark paths, or how can one write when they have returned?
I came across these words and it describes rather well what I’ve been suffering the last several months:
Raging waves of the sea, foaming out their own shame; wandering stars, to whom is reserved the blackness of darkness for ever.
Jude 1:13
Raging, shame, wandering, blackness of darkness for ever – sounds great, poetry, a great writing prompt, but how do we write in this dark place, about this dark place, distance ourselves from it, or even escape it and find a place to write about it? When the darkness stops us, we medicate, self-medicate, try to find a way back, or get lucky and have a moment of sanity. In these rare opportunities, I usually make the mistake of thinking I'm Vader, Obi-Wan’s apprentice: I will do the right thing in the end, the end justifies the means, I am the chosen one, and I will bring balance to the Force.
Yes, it sounds delusional – I prefer the term Romantic – and the term can be interchangeable with the Sublime, and with the Sublime, always, comes terror and darkness, a sense of overwhelming awe, maybe the opposite of Depression, but definitely fear is involved. 
To understand the Sublime and Depression, we must understand darkness. John Locke opined that darkness was not naturally an idea of terror, but was something planted in the mind. Edmund Burke believed it an association which took in all mankind, an idea making darkness terrible, an unsafe place impossible to know what surrounds us in it, what danger lies in wait, or what precipice we may step off of, or even if an enemy approaches; there is no sure protection in darkness.
From another point of view, darkness, Depression, and the Sublime are emotion-based, emotions akin to Lovecraft's familiar the oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. Is Depression still the unknown? Does this give it power, make it Sublime, and tweak our senses into fearing it and giving up our power or our freewill? As writers, what can this darkness do? When we want to terrify or horrify, to create or build suspense, or keep the gentle reader turning pages, how do we show this emotion, this unholy Pathos; is there a way to harness this shadowy power without beating our readers over their heads with telling? Can we get out of our own dark paralysis to write something powerful?
This dark and debilitating emotion does not lend itself well to translation, especially into literature; it does not help us, not even out of bed; most days; we feel like a derelict wishing to fall down and dissolve into dust. I find forcing myself to sit in front of a laptop or PC, to record my thoughts, or to take notes almost impossible. What I do type, record, or write ends up being great seeds, a good line here, an idea there, but nothing happens. The mists clear from time to time, but I fail to take advantage of the clarity and write about the murky ambiguity.
So, working through my own darkness has brought me to the end of this first installment. I just saw some old friends, William and Dorothy Wordsworth, Samuel Taylor Coleridge, and William Blake, that may make an appearance in the next installment. My dark path has taken me to the Romantics many times and beyond. I hope to see you next time, part two, delving a little deeper into writing Depression as Sublime… and remember, the Force will be with you, alwaysI am your father.




Friday, February 5, 2016

Don't Forget - World Horror Con is in Utah for 2016


New Book Release, Conference, Shirley Temple, and It Came From the Great Salt Lake


An exciting anthology, It Came From the Great Salt Lake, will be released at this year's Life, the Universe, and Everything (LTUE) Conference. It features a great bunch of authors, beginning to published, with selections of horror that extend from one end of the spectrum (YA, humor) to the other (dark, urban).

I played a small part in the selection of pieces, editing, and other assorted riffraff (in fact, the publisher was kind and generous enough to list me as the editor). If you have a chance, go get a copy and read it. Kindle and other versions are available now. The paperback version will be available next week, and you can also get a copy at the official release party at LTUE.

The festivities are being held in conjunction with LTUE and the brand new LTUE After Dark: Things That Go Bump in the Night, Thursday, February 11, 7 to 9 p.m., at the Provo Marriott Hotel & Conference Center, Cedar Room. For more information please visit the LTUE Conference page.

As part of the presentation, I will be providing a short summary of classic horror - Walpole, Radcliffe, Shelley, Stoker, Blackwood, Hawthorne, Irving, Stoker, Lovecraft, Poe, etc. - it should be entertaining and enlightening. It will also be a wonderful opportunity to meet and greet authors and others associated with LTUE, as well as the Utah Chapter of the Horror Writers Association. For more information on the Utah Chapter, see our Facebook presence: https://www.facebook.com/UtahHorrorWriters/.

Now, for the best part - the pseudo-lounge at the Marriott makes a great Shirley Temple - having been on
the Temperance Wagon for several years, this is probably the best drink you can find in Provo, although I've heard they have a few outlets that provide Mexican Coca Cola and Texas Dr. Pepper... hope to see you there!

Saturday, October 17, 2015

Meet the Author

Pretty cool support from Verto Publishing - Meet the Author showcasing my new story about to come out in the Gothic Tales of Terror anthology. Awesome Sauce, as they say!

Thursday, September 3, 2015

A Short Stay in Hell

A Short Stay in HellA Short Stay in Hell by Steven L. Peck
My rating: 4 of 5 stars

I usually am disappointed when I read books based on other books or short stories, in this case, Jorge Luis Borges' La biblioteca de Babel (The Library of Babel). In this case, I found several things that interested me: Mormonism, Zoroastrianism, and Existentialism, well, kind of.

The Mormonism and Zoroastrianism are only entry points into this very well thought out and thought provoking Hell. One line that really stands out, also mentioned by another reviewer (Forrest):

"Anticipation is a gift. Perhaps there is none greater. Anticipation is born of hope. Indeed it is hopes finest expression. In hope's loss, however, is the greatest despair."

If you want to try and understand the meaning of eternity, this book will get you there. If you want to understand depression, suicide, some aspects of PTSD, without having to experience them, this book scratches the surface. If you want to walk away from a read that leaves you thinking, wondering, and not sure if you liked it or hated it, this is the novella for you. I have had to go back and re-read the ending several times.


View all my reviews

Friday, August 7, 2015

Twenty Thousand Leagues Under the Sea

Twenty Thousand Leagues Under the Sea (Extraordinary Voyages, #6)Twenty Thousand Leagues Under the Sea by Jules Verne
My rating: 5 of 5 stars

The main reason I gave this novel five stars is because it is a classic, it is Jules Verne, the Father of Science Fiction (although I like Mary Shelley as the Mother of Sci-Fi), and the characterization was beautifully done. Yes, the plot is slow moving and buried in the entertainment of description, but consider the time: this book was published shortly after the American Civil War, the oceans of the world were still unknown, undiscovered, and misunderstood (not much has changed on that last subject), and people wanted intense and long descriptions of things, esp. if they included descriptions of the unknown.

Some say Captain Nemo is the perfect villain, but to me, he is not really a villain, but an imperfect and almost insane anti-hero (for more on that, read Verne's The Mysterious Island). I loved every mind-numbing page until the end (spoiler alert).

The end was quick, contrived, and unsatisfactory. I believe Verne may have ran out of things to say, had no idea how to end Captain Nemo and the Nautilus, or it was his editor's error. After reading such wonderful descriptions, struggling to maintain the plot, only to have Nemo and the Nautilus disappear in the Maelstrom, while the main protagonist, Professor Aronnax, is knocked unconscious, only to wake up safe and sound in a shack with his companions, Ned Land and Conseil, was a complete let down. Disney did it better (watch it if you have the chance).

Good things: it is a classic, the language well-written, and its a cheap read, either via Nook/Kindle, or picking up a hard copy.




View all my reviews

Tuesday, July 28, 2015

Transylvania Writing Workshop

Some tower in France:)
Let me begin with a few words of commentary: a once in a lifetime, bucket list checking, experience... and the workshop was icing on the cake.  The journey began with a stop-over in Paris - Eiffel, Notre Dame, and the Louvre...it was a quick, down and dirty tour of the City of Lights and amazing.

Next, the Land Beyond the Forest, the home of Vlad Tepes, and all things Dracula, and the first ever horror writing workshop hosted in that country.  The special guest instructor was Richard Thomas, not to be confused with John Boy Walton.  Richard introduced students to Neo Noir, the New Black, and utilized several wonderful authors' work - Jack Ketchum, Stephen Graham Jones, and one of my favorites, Brian Evenson.  The workshop was a good review for writers who have been published and an excellent introduction and learning experience for those who are just testing the waters.  It was made perfect by the organizer and Commander and Chief, Tausha Johnson and her very capable and native Romanian side-kick, Ina Lolescu, both very capable and knowledgeable experts in the running of workshops, administration, and writing - please check the workshop site.
The majestic Carpathians
The scenery was haunting, terror-inspiring, superstitious, and, in a word, sublime.  The Carpathians are not a place, but an experience, and to seal that description, our first night found the local Orthodox priests blessing the participants and the pension where we stayed, Mama Conzonacilor, against evil.  If the setting was not enough to inspire ghosts, goblins, vampires, werewolves, it certainly inspired protection.  The Mama Conzonacilor and our host, Lorenzo, made everyone feel right at home, the accommodations were simply outstanding, the food, native and delicious, and everything Bram Stoker captured in the first few chapters of Dracula.  An experience not to be missed.
Mama Conzonacilor Pensiune
In addition to the writing and lecture, which was intense, but pleasant, several days included tours of the local area and famous (infamous) Vlad hang outs.  The routine involved 4-hours of classroom, including writing, followed by lunch, and then an excursion or more workshop and writing.

The author and his wife at Rasnov
Our first outside activity was to the ancient citadel/fortress of Rasnov, built between 1211 and 1225 by the Teutonic Knights.  It was interesting, a trip worth taking, but offered very little for the writing of horror or ghost stories; however, the age, the ambiance, was an amazing tonic to inspire creativity and most likely to give a respite to jet-lagged participants.  A site not to be missed by visitors.  My wife, who attended as a non-writer, found the excursions to be the most exciting part of the journey; however, just lying around and catching up on her reading at the hotel was nice as well.

Probably one of the most amazing activities was a visit to Bran Castle, an immense fortress located near the border between Transylvania and Wallachia.  The castle, also with Teutonic roots, was destroyed in 1242 by the Mongols.  Unfortunately, depending on one's point of view, it has more links to the English Monarchy than to the infamous Impaler, but as in most histories, tourism drives reality.  The implements of torture,
Vlad Tepes, possibly a tenant at Bran Castle
legends and myths, made it an excellent spot for writers of Nuevo Neo Noir Negro (N2N2), the latest genre in Horror.  It was also reported as the second-most haunted location in Romania.  I believe our camera ran out of battery at this point, so please check my FB links and friends for additional photographs, courtesy of the wonderful writer and photographer, Holli Moncrieff.

Iulia Hasdeu
If I mentioned the second-most haunted location in Romania, you are probably expecting some commentary on the first-most haunted spot in Romania.  Yes, we visited there too, and it inspired a wonderful story that, I hope, will see publication soon.  Iulia Hasdeu Castle, Julia to her American friends, was constructed after Bogdan Petriceicu Hasdeu's daughter, Iulia, died at the age of 19, an event that dramatically shook and changed Hasdeu's life. Hasdeu, an acclaimed academic and possibly the smartest man of his time, claimed that his belated daughter provided the plans for building the castle during sessions of spiritism. The building was completed in 1896.  Yes, there was definitely a spirit or spirits present, although none showed up on film.  It was an awe and horror-inspiring adventure, which was only added to by the 6-hour van ride to and from Bran.

Next came the actual birthplace of Vlad Tepes, the Impaler and Bram Stoker's infamous Dracula: Sigishoara.  It was a beautiful, protected Medieval Village (UNESCO).  It was like taking a step back in time, and I mean from the time we were in, which already felt like pre-Soviet Romania.  Despite
The author, his wife, and a very nice Roma woman.
its thriving tourism-driven economy, there were many historical sites to see, as well as many story inspiring sites, including a citadel atop Sigishoara Mountain, including an ancient church and still functioning cemetery. The 100-plus steps leading to imposing fortress was made perfect by an old and kind Roma woman selling flowers.  It was a great opportunity to impress my wife, and our friend Ina, by making a small purchase of two bouquets, one of which we left in the very Hollywood-style coffin of Vlad Tepes later in the day.  I am still processing everything we saw and did.  I'm sure there are a number of stories just waiting to be written.  Of all the places on earth I have visited, Romania must be at the top of the list of places I plan to return to.
Vlad and our flower offering

So, Vlad Tepes birthplace... It has become a restaurant, with excellent food, by the way, and a tourist trap akin to a Tunnel-O-Love from the mid-twentieth century.  Still, there was a certain charm, a chic, that can be found nowhere else on the planet.  It was also the only certifiable link to the infamous Impaler on our trip, other than the empty plot of Vlad Tepes at Snagov (next).  The setting and lighting were excellent for a nice snapshot.

Finally, on our way to the airport on the last day, we had to stop by Lake Snagov and the empty grave of Vlad Tepes made famous in Elizabeth Kostova's The Historian.  It was everything we expected.  We especially appreciated our tour guide, Roxana Petrescu.  It was a short, 20-minute drive from the airport.  If you are traveling to Romania, an excellent site to see/visit
on your way into the country or on your way out.

I plan to go into more detail, and include some commentary on each of the sites in additional detail, as well as our Paris adventure and our follow-on 4-day trip in the U.K., including Stonehenge, Avebury, and the city made famous by Jane Austen.  If there are any errors, please let me know.

Mulţumesc foarte!

Tuesday, May 12, 2015

Tuesday, April 28, 2015

Amazon Author Page -

Don't know if this is a good thing:) http://amazon.com/author/kscottforman
Bringing back memories of the altitude chamber and hypoxia symptoms - just a quick note - May will be a busy month - Holistic Survival, Writing Conference, Emergency Preparedness Seminar - but writing is the thing.  Keep Writing!  I am pleased to announce that I will have a short story appearing shortly in O'Dark Thirty.  Will post a link when it's available.  Also, have created an author's page on Amazon - a link should be available shortly - probably http://www.amazon.com/author/kscottforman - they say it will be active in 30 minutes, or so! 

Tuesday, January 13, 2015

Old Scratch and Owl Hoots

It's out and ready to read!

All of the writers are in Utah or have a connection to Utah.  You can pick up a copy at FANX or LUTE for ten bucks ($10), or suggested retail at Amazon ($12.99)

Utah Horror

Griffin Publishers

Amazon

Monday, December 22, 2014

Holiday Greetings 2014 - Glüton’s Christmas Blast

The latest version of your annual Christmas chapbook is hot off the press - we'll be bone-folding and sewing the hard copies together tomorrow.  If you would like a soft copy in a .pdf file, please drop us a line at fearknocks@gmail.com and I'll make sure you get one.  Here's a sample - the annual Glüton misadventure.




Glüton’s Christmas Blast

  Glüton looked forward to Christmas more than any other holiday, except of course, every other holiday.  Despite his track record – the previous year had been a letdown courtesy of a pack of disgruntled chinchillas – he tried to push the past aside.  There was the carnivorous snow-blower, the strangling strands of Christmas lights, indigestible feather pillows, cannibals with the best of intentions, and Fanny.  He felt tears and the familiar itch in his nose when he thought of Fanny.
  This year would be different, at home, no Christmas cruises or dates, no family, and no accidents.  He recalled the bruises from eight tiny reindeer and sniffed the last of the memories away.  For a moment, he considered locking his door, turning out his lights, and hiding under his bed until January 1st.  No, it was Christmas, Christmas had food written all over it, and his friends were depending on him.
  Turkey, ham, mashed potatoes and gravy, candied yams and pumpkin pie were distant Thanksgiving memories, but not to be crossed off a Christmas menu.  To this, Glüton added cookies and cakes, candy and chocolates, and bread.  Rolls, loaves, muffins, biscuits, all in their buttery glory; he couldn’t turn his back on that, could he?
  He looked at his day planner: only two days to go before his first annual Christmas Blast, and this year he had taken precautions.  He had checked the guest list thrice, inspected the structural integrity of his floor twice, and even sent a priority letter to Santa asking that no harm or accident would find him during the holidays.  Sticking out of his day planner was the return receipt that arrived that very morning double signed: S. Claus and K. Kringle.  He would be safe.
  Today he had to work, but first, a quick trip down to his Pinto to retrieve the final ingredients for his seasonal soiree: two bags of flour, a bag of sugar, and six cases of cane-sweetened Coca Cola from Mexico.  There was no way injury would find him and he would be early for work.
  He stepped into the hall and looked both ways, just to be safe.  Nothing was out of place.  The smell of baking bread came up through the vents and floor boards; the bakery on the ground floor was in full operation.  He selected this apartment in memory of his first bachelor pad.  The smell of yeast, flour, baking bread, the most simple of carbohydrates wafting around him in a protective cloud of comfort: he was safe.  He continued, down the stairs, and out back to the parking lot, bells jingling, belly jiggling.  His red Santa pants were riding up a bit and rubbing him wrong, but he only had to sit in them when he was working, he told himself.
  The Pinto was undisturbed, although the dents and scratches sent a shiver up his spine: Chuy’s Chinchilla Bordello, his six siblings, and all that food lost.  He cleared his mind, shook himself, and set himself to carrying the last of his confectionary necessities up to his apartment.  After three trips, the fabric between his legs was still bothering him.  He could feel the hair on his legs standing straight up from the static electricity.  He saw his reflection in the glass of the back door and stopped.
  He was made to play Santa.  He would never work as a supermodel or an athlete: Glüton-sized seats were never part of the seat designers' plans for commercial air carriers and he had yet to meet a Lycra garment that stretched as advertised.  Big and Tall were stores for lesser men and super-size was a description for a hors d'oeuvre, not an entrée.
  He needed to finish and get to work.  He grabbed the metal door handle and fell back.  The discharged static almost knocked him flat.  These pants were not working out.  He would talk to his supervisor when he got to work.
  After getting the six cases of Coke and the bag of sugar stowed in his kitchen without further incident, Glüton decided he could probably carry both bags of flour.  He retrieved the flour and had almost made it to the second-floor landing when one of the bags started to slip.  He tried to catch it, to move with gravity and stop its fall, but his efforts only unbalanced the other bag: both fell from his shoulders and bounced their way down the stairs in an explosion of gritty white Christmas.  At the same time, his pants showed their saber-toothed crotch cricket tendencies and he almost jumped down the stairs after the bags.  He reached for the railing.  His hand found the metal fittings.
  Glüton would have wanted it this way: going up in a fireball of self-rising flour in a Santa suit.  The inspector from the fire department, however, was confused.  Ground zero was not the bakery and red polyester and white fake fur were not common ingredients in explosives.

Saturday, September 13, 2014

Comicon and LUW Conference 2014


Salt Lake Comicon was an excellent opportunity to send out some love for the World Horror Convention 2016, which will be held in Provo, Utah, as well as grow our own Utah Chapter of the Horror Writers Association


At the League of Utah Writers Conference, Genre Panel, with several friends and colleagues, including Johnny Worthen, Christauna Rose Asay, and Christine Haggerty - I'm the ghost at the end of the table (far end).

Saturday, April 26, 2014

LDStorymakers - Day 2

I think I forgot to mention, Melissa Frain, Editor, Tor Books, is allowing me to send the first 50 pages and a synopsis for consideration... I am so excited - Day 2 also found Rachel Lewis and I in absolute awestruck wonder at the eloquence of Orson Scott Card - I'm thinking it's a Scott thing - Orson Scott Card, J. Scott Savage, K. Scott Forman... fingers crossed:) #Storymakers14


Friday, April 25, 2014

LDStorymakers - Day 1

So far, so....  My daughter is happy to observe her mad father....

...and Nikki is a signed writer!!!!

Friday, April 4, 2014

Edith Wharton on Characters

Which comes first—the characters or the plot? In 1933 the novelist Edith Wharton explained that sometimes it was a character and other times a situation that suggested to her the idea for a story.

When I first began to talk with novelists about the art of fiction I was amazed at the frequently repeated phrase, "I've been hunting about for months for a good subject." Hunting about for a subject! Good heavens! … The truth is that I have never attached much importance to subject, partly because every incident, every situation, about me is perpetually presenting itself to me in the light of story-telling material, and partly from the conviction that the possibilities of a given subject are—whatever a given imagination can make of them …

In the birth of fiction, it is sometimes the situation, the "case," which first presents itself to the mind, and sometimes the characters who first appear, asking to be fitted into a situation. I have often speculated on the conditions likely to give the priority to one or the other, but I doubt if fiction can be usefully divided into novels of situation and of character, since a novel, if worth anything at all, is always both at once, in inextricable combination. I can only say that in my own case a situation sometimes occurs to me first, and in others a single figure suddenly walks into my mind. If the situation takes the lead, I leave it lying about, as it were, in a quiet place, and just wait till the characters creep stealthily up and wriggle themselves into it. All I seem to have done is to say, at the outset: "This thing happened—but to whom?" Then I wait, holding my breath, and one by one they appear and take possession of the case. When it befalls in the other way, I may be strolling about casually in my mind, and suddenly a character will start up before me, coming seemingly from nowhere; and again, but more breathlessly, I watch; and presently the character draws nearer, and seems to become aware of me, and to feel the shy but desperate need to unfold his or her tale. I cannot say in which way my subject will probably present itself—though perhaps in short stories the situation, in novels one of the characters, is most likely to appear first.

"Confessions of a Novelist," by Edith Wharton, April 1933
http://www.theatlantic.com/magazine/archive/2005/08/edith-wharton-on-characters/304119/